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︎   10’13”, color, sound
︎  2026, Germany, Köln
︎  AI-generated imagery, TouchDesigner, ComfyUI, desktop documentary


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This work focuses on algorithmic erasure of visual testimony and historical memory. Told from the perspective of an archive restoration technician, the work follows the systematic disappearance of traces of resistance through AI-assisted denoising and frame interpolation. Drawing on Benjamin's concept of reproducibility and Heidegger's notion of *Gestell*, the work positions the denoising algorithm as a technical metaphor for historical forgetting: every act of "enhancement" is an act of selective silence.

Central question: who decides what counts as noise, and what counts as truth?

该作品聚焦于对视觉证据与历史记忆的算法性抹除。作品以一位档案修复技术员的视角展开，讲述在人工智能辅助的去噪与帧插值过程中，抵抗痕迹如何被系统性地消除。借鉴本雅明关于“可复制性”的概念以及海德格尔的“集置”（Gestell）思想，作品将去噪算法视为一种关于历史遗忘的技术隐喻：当一切都必须变得更清晰、更准确、更高效时，我们是否也正在失去那些无法计算、无法优化，却构成真实经验的痕迹？

究竟是谁在决定，什么是噪声，什么又是真实？。

︎   Link︎︎︎


This work is licensed under CC BY-NC-ND 4.0

 ︎ 痕迹场 | IKHNOS

_{Collaborate with Shuai LIU}